Study after a Maillol figure
Harvard, 1977 - 1978
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- New Paintings 2008
- New Paintings 2008: A Huge and Unmeaning Chandelier
- New Paintings 2008: Broken and Equivocal Hints of Unease
- New Paintings 2008: As White as the Paper on Which I Write These Lines
- New Paintings 2008: A Grim Prospect
- New Paintings 2008: Demi-monde
- New Paintings 2008: Hard by the Dim Lake
- New Paintings 2008: Imprints from the Paper Skeleton
- The Paper Skeleton 2008: Ulalume
- The Paper Skeleton 2008: A Weak and Irregular Remembrance
- The Paper Skeleton 2008: An Apathetic Endurance of Dull Pain
- The Paper Skeleton 2008: The Leaden-Footed Hours
- The Paper Skeleton 2008: The Gray Ruins of Memory
- The Paper Skeleton 2008: An Indistinct Regathering of Feeble Pleasures
- The Paper Skeleton 2008: My Gloomy, Gray, Hereditary Halls
- The Paper Skeleton 2008: Slower Than the Minute Hand of a Clock
- The Paper Skeleton 2008: That Long Agony
- The Paper Skeleton 2008: An Atmosphere Peculiar to Themselves
- The Paper Skeleton 2008: The Gray Wall and the Silent Tarn
- Imprints from the Paper Skeleton 2008: 12. A Pestilent and Mystic Vapor
- Paintings 2007: The Mourning Echo series
- Paintings 2007: The Metal series
- Paintings 2007: The Fugue Series
- Paintings 2003 - 2007: The Concentrate series
- Paintings 2007: The Swerve series
- Paintings 2007: The Generation series
- Paintings 2006 - 2007: The Rent series
- Paintings and drawings May-June 2007: Paris and Tuscany
- Paintings 2003: The balance tilting
- Paintings 2002: Two abstractions
- Paintings 1998 - 2006: A study of Neo-Plasticism
- Paintings 1999 - 2002: Minimalism and George Inness
- Paintings 1997 - 2004: Portraits and figure studies
- Paintings 1997 - 2005: Landscape paintings
- Paintings 1997 - 2001: Still life paintings
- Paintings and drawings 1974 - 1985: Youthful work
All content of this website is copyright 2008 by Andrew Marvick.